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What and Who
Topologies and Semantics on Musical Motive Spaces
Prof. Dr. Guerino B. Mazzola
Universität Zürich
Informatik-Kolloquium
AG 1, AG 2, AG 3, AG 4
AG Audience
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Date, Time and Location
Friday, 16 July 99
16:00
-- Not specified --
45 - FB14
HS 001
Saarbrücken
Abstract
We present a qualitative and quantitative study of topological spaces
built on motif collections of musical scores. Motivic topologies are
designed to (re)construct the musicological semantics of motives and
(among others) also related to similarity concepts in the American music
set theory. Parts of our theory have been implemented in the music
analysis and performance workstation RUBATO which was developed at the
University of Zürich. In the light of our approach, the still debated
question concerning the length of the main theme in Bach's "Kunst der
Fuge" is addressed. As a result, we can state that the extended 12-tone
theme is essentially equivalent to the shorter 8-tone version when
viewed from its motivic substance.
Contact
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Brigitta Hansen <hansen@mpi-sb.mpg.de>,
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"wittck@math.uni-sb.de" <wittck@math.uni-sb.de>,
"zimmer@math.uni-sb.de" <zimmer@math.uni-sb.de>,
"ag_numerik@num.uni-sb.de" <ag_numerik@num.uni-sb.de>,
"Brettar, Claudia" <presse.brettar@univw.uni-sb.de>
Subject: 16.7. Info Kolloq Prof. Dr. Mazzola
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Universitaet des Saarlandes Saarbruecken, den 07.06.1999
Fachbereich 14 - Informatik
Einladung
zum Kolloquium des Fachbereichs Informatik
Am Freitag, den 16. Juli 1999, spricht um 16 Uhr c.t. in Hörsaal 001,
Gebäude 45
Prof. Dr. Guerino B. Mazzola
Universität Zürich
Email: guerino@mazzola.ch
http://www.ifi.unizh.ch/groups/mml/musicmedia/staff/mazzola.html
zu dem Thema:
Topologies and Semantics
on
Musical Motive Spaces
Abstract:
We present a qualitative and quantitative study of topological spaces
built on motif collections of musical scores. Motivic topologies are
designed to (re)construct the musicological semantics of motives and
(among others) also related to similarity concepts in the American music
set theory. Parts of our theory have been implemented in the music
analysis and performance workstation RUBATO which was developed at the
University of Zürich. In the light of our approach, the still debated
question concerning the length of the main theme in Bach's "Kunst der
Fuge" is addressed. As a result, we can state that the extended 12-tone
theme is essentially equivalent to the shorter 8-tone version when
viewed from its motivic substance.
InteressentInnen sind zum Vortrag herzlich eingeladen.
Die DozentInnen des Fachbereichs Informatik
Die Kolloquiumsankündigungen können Sie auch unter folgender
Internetadresse lesen: http://www.cs.uni-sb.de/kolloquien/.